Our Artists

Hector Zablach, a Chilean painter born in Santiago in 1934, is recognized for his unique artistic journey that blends South American heritage with European influences. His artistic formation began at the Academia de Bellas Artes in Buenos Aires, Argentina, where he matured his expressive style. Zablach's work reflects the vibrant colors and deep spirituality of Latin America while incorporating European avant-garde techniques like Cubism and Abstract Expressionism.

Forced by political challenges in Chile, Zablach moved to Brazil in 1954, where he taught painting and sculpture at the Cultural Center of Bangù. During this period, his art gained recognition, and he exhibited widely across Latin America, including venues in Argentina, Venezuela, and Ecuador. His works from this era, such as La raccolta and Canavial, showcase his dedication to capturing the essence of Latin American culture, employing vivid colors and simplified forms that echo popular religiosity and folklore.

In 1973, Zablach relocated to Europe, settling in Italy, where he became a bridge between European art and South American expression. Participating in exhibitions like the Contemporary Art Show in Asiago, he interacted with prominent artists such as Baj, Cassinari, Guttuso, and Picasso, creating a synthesis that enriched his style. His works, such as Cristo in Croce and Il Massacro degli Incas, reveal an evolution toward a lyrical synthesis of his heritage and contemporary influences.

His personal exhibitions have spanned the globe, including notable cities like Buenos Aires, Quito, Caracas, Paris, and Rome, while his paintings have been featured in renowned galleries. Zablach's oeuvre continues to explore themes of human suffering, resilience, and the universal connection between cultures. His works are distinguished by their warm, passionate color palettes and the emotional depth that transcends cultural boundaries.

Zablach's ability to remain rooted in his Chilean identity while embracing a global artistic language makes him a standout figure in 20th-century art. His religious works, particularly his powerful depictions of Christ, blend spiritual intensity with modern artistic techniques, creating pieces that resonate with viewers across cultures and generations.

Ikalu Uche Karis was born on the 1st of January 1975 in Isiugwu Ohafia, Abia State, Nigeria, and raised in Lagos State. After completing his junior secondary school (JSSCE), he enrolled at the Government Technical College, Lagos (G.T.C.), where he studied Graphic Art. While at G.T.C., he worked with ATOSS Art Gallery as a sculptor between 1995 and 1998.

After earning his diploma in Graphic Art and Painting, he proceeded to Federal Polytechnic, Oko in Anambra State, Nigeria, where he obtained his National Diploma in Fine and Applied Art. During his time in school, he handled various projects including sculptures and paintings around Anambra State — among them relief works of the 14 Stations of the Cross and the Lord's Supper in St. Gabriel Catholic Church, Umunagi; window arcs and fancy pillars in Ozubulu; wooden carved masks in Beverly Hill Hotel, Nnewi; and the Anti-Cult billboard at the entrance of the school.

In 2001, he hosted a group exhibition with fellow students. After graduating from Federal Polytechnic, Oko, he began his career as a professional painter. He enjoys painting still life, figurative works, portraits, landscapes, and abstracts, finding his most interesting subjects in people and nature.

Since 2002, his paintings have been purchased by individuals, art collectors, hotels, and restaurants. In September 2004, he was invited to showcase his work at the Book and Art Exhibition Fair at the National Museum, Lagos. As a born artist, he enjoys painting on canvas and sculpting.